This project started out when my partner and I were making tea in her room after school. We were talking about Li Hongbo's paper sculptures. They are solid volumes but can be opened up to show all these little slices inside. His technique for creating the honeycomb connections is ridiculously meticulous and detailed but we wondered if we could show mathematical volumes in a fun way.
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Things I learned by doing the project first:
- Make a cut out book first without any lines or math just to get an idea of what looks cool. Then go make a mathematical line that can be integrated. - Use paperback novels of >400 pgs. Don't try glueing thinner books together. - The first thing people do when they see this is touch it and ruffle the pages so you need to bolt it into the wall so it wont fall. Your design must leave space to hide screws underneath. - It's required to add a backing to the piece so that the book stays in place, which adds to the thickness of the mount, so a frame or edge banding is required. It looks dumb if the plywood backing is showing. - The back mount should be 26cm square |
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This isn't even my final form...The next step in this project is to to display these in this little nook we have leading to the bathrooms. If every student makes one then we should fill up the space.
This is an example of the project being shaped by the exhibition. I've always thought that this could be a cool space to show work in, and set my project up to take advantage of that. |
CommunicatedThe best way to describe to someone what you want them to make is to show them an example and all the work that went into it. This is why I always have examples of the finished product ready to show the class before they start. Sometimes I even have examples of each stage in the process to show them as well. I include all my notes and sketches from my project as well so that everyone can see the detail required.
To supplement and display the examples I affix them to the whiteboard and draw notes all around them. This makes the whiteboard become a living document as I answer questions and provide clarity. It also nice because students cannot misplace this in their backpacks. |
I know that what I am asking the class to do is reasonable because I have done the exact same thing myself. I am pretty sure that I'm giving them enough time too because I know how long it took me. I've even started providing a suggested timeline that the students follow so that they know they are on track to finish. Below is the calendar that I give to the class on day one.
I also know that I've got the right materials because I've done the work myself already. I went out and got a bunch of books beforehand and learned that they need to be paperbacks and should be over so many pages. This is the kind of thing that sucks to figure out day of and really slows down a project. |
What worked?
I was really happy to have all my models and examples ready to show the class. Some kids finished their cuts really fast and were ready to move on to the next thing, so I just gave them the next piece and let them loose. What was surprising? The variety of shapes that groups made was really exciting. I like to start the project with no limits and then introduce the constraints for subsequent drafts. This is an easier way to build excitement and reduce the amount of front loading required. What will you never do again? I was so excited to share everything about this project that I started rambling on about different deliverables when I should have just given the group the master document and shut up. The time will come for exposition and requirements, but for now I want to just launch the project and build excitement. I will never start a project with anything other than examples and doing. Students will ask their own questions and as long as I have examples and a calendar, I should be able to answer them. Specific to this project, I was surprised to get representational pieces (a tree, a star, etc). I think that non-representational work looks much more interesting and is more reflective of the students thinking. In future projects I need to specify that constraint. |
This is a short video summary of the first week of the project
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What worked?
The final display looks great. I had to be creative in helping everyone mount their project in straight lines but it really paid off. Having the work displayed very carefully is worth it. This is the first time that I have done a project with the final exhibition location in mind from the start. This makes a huge difference because I was able to optimize parts of the project for the space. The size and shape of the mounts was determined by the location, so they really are custom made for the space. What was surprising? This project felt like it took too long, but 29 of 44 students finished on or 1 day after the deadline. This is really close to my 75% goal where at least 75% are finished on time. I decided to give credit on this project based only on when it was completed, giving full credit on the due date and penalties for each day late. This seems to have resulted in a fair sense of work ethic in the class and most of the group pushed to finish on time. What will you never do again? I split up the grading into lots of small deliverables that I would give credit for finishing. This was supposed to make sure that no body fell too far behind. I almost want to break it up further, but I kept track of all these bits of small credit by pen and paper on a spreadsheet that I printed out. I didn't realize how much time I would spend tracking kids down to ask if they had finished this little piece of the project everyday. I kept stressing out that I missed someone and was marking them Late by mistake. I need to figure out the right way to track small deliverables or give the responsibility to the class so that I don't go crazy. |